SUZUKI VIOLIN LESSONS
The
Suzuki Philosophy
More than forty years ago,
Suzuki realized the implications of the fact that children the world over learn
to speak their native language with ease. He began to apply the basic
principles of language acquisition to the learning of music, and called his
method the mother-tongue approach. The ideas of parent responsibility, loving
encouragement, constant repetition, etc., are some of the special features of
the Suzuki approach.
Parent Involvement
As when a child learns to
talk, parents are involved in the musical learning of their child. They attend
lessons with the child and serve as "home teachers" during the week.
One parent often learns to play before the child, so that s/he understands what
the child is expected to do. Parents work with the teacher to create an
enjoyable learning environment.
Early Beginning
The early years are
crucial for developing mental processes and muscle coordination. Listening to
music should begin at birth; formal training may begin at age three or four,
but it is never too late to begin.
Listening
Children learn words after
hearing them spoken hundreds of times by others. Listening to music every day
is important, especially listening to pieces in the Suzuki repertoire so the
child knows them immediately.
Repetition
Constant repetition is
essential in learning to play an instrument. Children do not learn a word or
piece of music and then discard it. They add it to their vocabulary or
repertoire, gradually using it in new and more sophisticated ways.
Encouragement
As with language, the
child's effort to learn an instrument should be met with sincere praise and
encouragement. Each child learns at his/her own rate, building on small steps
so that each one can be mastered. Children are also encouraged to support each
other's efforts, fostering an attitude of generosity and cooperation.
Learning
with Other Children
In addition to private
lessons, children participate in regular group lessons and performance at which
they learn from an are motivated by each other.
Graded
Repertoire
Children do not practice
exercises to learn to talk, but use language for its natural purpose of
communication and self-expression. Pieces in the Suzuki repertoire are designed
to present technical problems to be learned in the context of the music rather
than through dry technical exercises.
Delayed
Reading
Children learn to read
after their ability to talk has been well established. in the same way,
children should develop basic technical competence on their instruments before
being taught to read music.
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